Writers on their first novel and their fifth.
"Walter suggested that I bridge my episodic chapters with movie-like long shots and spend a bit more time in the heads of my central characters. That's all I needed to bring the storytelling to next level. Now I'm practically done and the book is ready for its close-up!"
"Fast, clear, and kind. The line edit made my prose breathe. Thank you Walter!"
"I came to Walter with an unfinished book written by my late father. Walter polished it and carried it through to a perfect ending in my father's own voice. I'm thrilled."
Not sure what kind of edit your manuscript needs? Send a sample and I'll recommend the right level of help.
Send me up to 2,000 words of your writing and I will give you my initial impressions. I'll read every word and tell you what's working, what's not, and what I noticed first.
A big-picture manuscript review and written report. I look at structure, pacing, voice, character, argument, and revision priorities, then tell you what the manuscript needs next. No full markup — this is a diagnostic, not a line edit.
Hands-on editing for structure, pacing, organization, scenes, chapters, character, argument, and overall shape. Best when the manuscript needs substantial revision before line editing. I work through the manuscript directly — this is not just a report.
Perfect sentences alone can't build an engaging narrative. My line editing looks at coherence, clarity, and style at both sentence and paragraph levels.
Technical correctness and consistency: grammar, usage, punctuation, spelling, capitalization, hyphenation, and internal consistency (names, dates, timeline). Aligned to the proper style guide such as CMOS, AP, or APA.
I specialize in editing memoirs, especially for writers who've been through trauma and recovery. I'll help you shape your story into a compelling read which hooks your readers from the start and engages them until the very last word.
From full-length ghostwriting to intensive rewrites, I can either draft from your materials or reshape your draft page by page. Your ideas and your voice, crafted into a polished manuscript that engages readers.
Also available: AI manuscript rewriting
The problem with AI-assisted manuscripts is that they feel artificial. It's because AI doesn't think like you, or feel what you do. It can't remember what you remember. AI thinks in pieces, and that's how it writes. So you see patterns, forced sentences, and lapses in coherence, especially in long-form manuscripts. What you don't see is a human personality behind the words.
AI can't fix itself. This is work only humans can do. I'll read your manuscript and rewrite the flawed passages. Send me a sample and let's see what we're working with.
Four clear steps from sample to handoff — transparent pricing, no surprises.
Send a sample chapter, word count, and a short description of the project.
I'll review the material and recommend the right level of edit, with a firm quote and timeline.
Once the scope is confirmed, I begin the agreed service: a written assessment, tracked-changes edit, margin comments, or a combination depending on the project.
Depending on the service: a detailed editorial report, your manuscript with tracked changes and margin notes, or both. One round of follow-up questions included.
Ready to start? Share your pages and get a precise quote.
I am Walter deMilly, an editor, ghostwriter, and author working from Tallahassee, Florida. My memoir, In My Father's Arms, was published by the University of Wisconsin Press, went into a second edition, and was named by the Oxford American among the best of Southern writing. Annie Dillard praised its voice; Edmund White, its cinematic presence and verisimilitude. I have also ghostwritten a work of trade nonfiction for a New York publisher, and co-written a feature screenplay.
I learned this work at close range. For ten years in Key West, my mentor was Frank E. Taylor, who had been the chief editor at McGraw-Hill and Dell. Over the years he published George Orwell, Vladimir Nabokov, Ralph Ellison, Germaine Greer, and James Baldwin. He also produced The Misfits with Marilyn Monroe. Across a decade of conversations, he taught me the crafts I use today.
I work across memoir and narrative nonfiction, literary and historical fiction, mystery and thriller, self-help, and business and leadership titles, including specialist nonfiction written for general readers. Some recent clients include geologists, neuroscientists, attorneys, and psychologists. My services range from editorial assessment and developmental editing through line editing, copyediting, proofreading, and fact-checking, along with story development, beta reading, ghostwriting support, and the restoration of AI-assisted drafts to a human voice. Recent engagements include a three-book copyediting project for a single author, a leadership book for a business readership, and editorial consulting on a historical novel for a BAFTA-winning filmmaker.
I am a member of the Authors Guild and the Editorial Freelancers Association, and I hold Top Rated status with a 100 percent job success score on Upwork. I work in Microsoft Word with Track Changes, to Chicago or AP style. Client names are held in confidence; references are available on request.
I will read your pages the way Frank taught me to read them, from the chair of the editor who has to decide.
Have a question or want to send a sample? Fill in your name and email, add a note or attach a file, and I'll get back to you.